For someone in my current geographical location, I would deem Sufjan Stevens music as strictly private - one that you should NOT recommend to just anyone, unless you're particularly sure that that someone is as elitist, indie, and as seemingly pretentious as yourself. Neither should you play Sufjan at parties- though some of the music can be effectively used at parties aimed for children aged 5 and below, and, more appropriately, parties filled with wannabe hippies and supposed artsy people.
That said, and as much as I stubbornly refuse to be called pretentious, I did honestly enjoy Illinois. I wasn't much into the story telling (although I found the homo-erotic ones worth gossiping about on the internet) but I did enjoy the music in some way. A lasting memory transports me back to a time when I once longed for the American dream. A time that I daydreamed about walking the streets of Chicago without having to worry about being stared at for wearing too much clothing (or, similarly, for looking really dope). A time that I longed for more concrete and less dust, less heat, less beggars, and less abusive drivers. I walk the streets with an entourage, nay- a PARADE! And the centerpiece is me! Balloons balloons everywhere! And the camera frantically swirls around me as the music swells, and then... I orgasm. (Imagine the look on the faces of my metal-head friends.)
That is my definitive Sufjan Stevens experience. I can still force myself to have that experience every time I do listen to the record, but probably without the excessive drama (and the orgy).
As for The Age Of Adz, I am not quite sure where it wants to take me. First impressions were not good, reminding me of this constant occurrence where I'm lying in bed and I leave the computer on, playing whatever music was on the playlist, while I tried to doze off. I would then wake up in a panic- thanks to some "sonic jerk"* from some random song. But the thing is, with this album, I get that same "sonic jerk" even when I'm wide awake. Mr. Sufjan's new knack for SCATHINGLY LOUD electronics was just not naturally welcomed by my ears.
I want to reinvent myself. So bad. |
How so? Simple. Imagine The Age Of Adz sans all the electronics. How much better would that sound? Mr. Stevens even gives us a taste of that momentarily near the end of Impossible Soul! Full band, full choir. That authentic Chicago-like feel that made Illinois extra special. No wonder why so many people think it's the best track on the album. But alas, the other songs did not receive the same treatment.
But hey, don't fret. Ultimately, once you've grown acclimated to the spiking electronics, you'll inevitably begin to notice the many layers underneath it. The wide array of organic instruments that flows to and fro- even the vocals seem less heavily rendered. You'll notice that the main character wasn't just stupid- he also wanted to check if his old Nintendo was still in the attic- you just missed that bit the last time because you were covering your eyes.
My score:
5 out of 10
*get it?
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